In this article, we are going to cover the artists who need to give their fans some music. The list is based on different criteria as you shall find out as you read. Some of the artists that made it to this list are super talented undeniably and that’s the majority. The list features artists who have a lot of potential but for some reason are shying from releasing music. Consider this article as an outcry from the fans towards artist who owe us more music in 2025. Let’s get on it!
Anita jackson
Where does one even begin with this? The list of artists who should give us music in 2025 feels endless. Take Anita Jaxson, for example. This Zim Dancehall phenomenon captured hearts with her breakout hit, “Megatron,” on the Frosty riddim. Her versatility saw her feature on hip-hop tracks like “Appetite” with Holy Ten, “Shelea” with Ti Gonzi, and “Talk” with Kikky Badass. She has everything an artist needs to create and release incredible music. Over the years, she consistently built a loyal fan base with every move she made. She even gave us unforgettable collaborations with Poptain, during the period when fans were speculating about the true nature of their relationship.
Fast forward to the last time we heard from her musically, and she was venturing into Amapiano. Her vocal prowess shone as she dropped the Amapiano love anthem, “Ndiwe.” It was a remarkable shift that left fans wanting more.
After earning fans from Dancehall, Hip-Hop, Pop, and Amapiano, Anita simply vanished from the scene like Cinderella at the stroke of midnight. Many have made public appeals for her return, but she remains unmoved. It’s hard not to speculate—perhaps she stepped back to prioritize her personal life, or maybe her partner prefers her to stay away from the limelight. If that’s the case, fair enough, but Anita, we miss you. Please, give us something in 2025!
Tahle wedzinza
Tahle Wedzinza is undeniably one of the most talented female forces in Zimbabwe’s music scene. Her ability to seamlessly blend the cultural essence of Zimbabwe into her music is nothing short of exceptional. With a high-pitched soprano capable of transitioning to the depths of a baritone, her vocal prowess is unmatched.
At one point, she signed with Military Touch Movement (MTM), a label founded by Jah Prayzah. Many believed this was her big breakthrough—after all, this was JP and MTM, a powerhouse combination. Sadly, the deal felt more like a bird cage than a stepping stone, and her career didn’t take off in the way fans had hoped.
Despite the setbacks, Tahle’s passion for music remains undeniable. Fans still yearn for her artistry and vibrant performances, which is why she deserves a spot on this list. She has the talent, she has the audience, and she doesn’t seem like someone who would struggle to secure studio time. Tahle, we hope 2025 brings us the gift of your music once again.
Ammara brown
Ammara Brown stands out for her unique vocal technique, electrifying dance energy, and commanding studio presence. Her passion and power resonate in every song she delivers. Yet, in recent years, she has stepped away from releasing music. These days, the only place fans spot Ammara is in advertisements for Parul University, based in India. The twist? Those ads are filmed with green screens—she’s not actually touring the campuses in India.
So, why is Ammara holding back on giving her thirsty Ammartian fans some new music? History proves that whenever Ammara steps into a studio session with Ex-Q, they produce absolute magic. Remember “Bhachura”? They followed it up with “Try,” both of which were instant hits. And let’s not forget her track “Akiliz,” a song so iconic that Zambians claimed her as their own and even offered her citizenship for the masterpiece.
Ammara, if you happen to be reading this, please make a return to music in 2025. Your fans are waiting. Perhaps you could start with an Ex-Q collaboration—we know it would be fire!
Mandy ahwee
Mandy burst onto the music scene with a hit feature alongside Tocky Vibes. She then followed up with her debut album, which, in my opinion, performed impressively for an artist emerging from seemingly nowhere. Her track “Kupisawo Sevamwe” gained further traction when Zimcelebs jumped on it with their famous group remixes. This collaboration put Mandy firmly on the radar of many music fans.
In a calculated move, she disappeared for a few weeks, only to resurface as part of a duo act with producer Verseless. Together, they released the EP Gehena, a project that introduced a fresh, unique sound—truly worth grooving to. It left fans excited about her artistic evolution.
But after the EP, Mandy went quiet, and to this day, she remains silent. Just as she was starting to build a loyal fan base through interviews and public appearances, she stepped back. Now, all those efforts risk being forgotten. When she finally returns, it might feel as though she’s starting over, like an up-and-coming artist again. How I wish she could maintain her momentum by releasing more music—or even revisiting her own songs with covers. Mandy, we’re waiting for you to light up 2025 with your talent!
Celsius
I’d put my money on this guy—Celcius is undeniably one of the best male dancehall vocalists we have. His talent shines in his clever wordplay, meaningful lyricism, and consistently positive vibes. At some point in his career, however, he made the fateful decision to sign on the dotted line. Little did he know, this move would strip away his independence as an artist. Rumor has it, his contract even restricted him from posting pictures of himself, as he had signed away the rights to his own likeness. This misstep, taken in the hopes of progress, seemed to derail his momentum.
Celcius stepped back from music for a while, but most recently, he’s been re-entering the music scene. He featured on Volts JT’s track “Ngairire,” followed by his appearance on the “Chipawa Pawa” collaboration hosted by Zimcelebs, where he closed the song with a captivating verse full of creative wordplay. His most recent feature on a Holy Ten project marks another promising step forward.
Still, my ultimate wish is to hear Celcius return to what he does best—crafting solo tracks like the iconic “Ghetto” and “Chiedza.” While collaborations are a great way to regain his footing, nothing compares to the magic he creates on his own. He’s made it onto this list because of his undeniable talent as both an artist and a songwriter. Celcius, we hope to hear your voice on a new track in 2025!
Allanah
The brownie with a mole—Allanah—rose to prominence by delivering what I consider the best reggae cover of the song “Mebo” by Chari and the Hakireni Stars. Her rendition elevated the original track, giving it the attention it deserved. Allanah’s talent was undeniable, and she entered the scene branded as a dancehall queen, gifting us soulful reggae love songs reminiscent of her namesake, Elaine.
At a time when the female dancehall space was struggling to find new talent after pioneers like Lady Squanda had faded into the shadows, Allanah emerged as a fresh force to keep the genre alive. She blessed fans with tracks like “Down” and “Pareremoyo,” the latter featuring Khadijah. Just as listeners were drawn to her unique and powerful voice, Allanah got married—and with that, her music stopped.
It’s tempting to wonder why female artists often seem to step back from their careers after marriage. Is it societal expectations, or personal choice? Whatever the reason, fans were robbed of a talent that hadn’t yet reached its full potential. Allanah, if you’re reading this—or if someone can screenshot it and send it your way—please consider giving us music in 2025. Your voice is deeply missed. Thank you.
Pauline gundidza
Oh, Mai Sky, let me dig you out from the rock you’ve been hiding under. For those who might not remember, Pauline is one of the female voices that defined the Urban Grooves era as part of Mafriq. As a group, they delivered timeless hits like Chizevezeve and Ndomuudza Sei. As a solo act, Pauline gave us mature, heartfelt tracks, such as Zuva Nezuva, featuring her baby daddy, Roki.
She also released Ndakakumirira, a track with an intriguing sound. To this day, I feel it’s a great song that could have performed much better with just a touch less auto-tune. Pauline is a vocalist of note and doesn’t need all that tweaking. Even now, Ndakakumirira remains a gem and would benefit from a remix—perhaps alongside artists like Kae Chaps or Brian K.
Towards the end of 2024, she released Teerera Moyo. The track didn’t perform well, but not because it lacked quality. On the contrary, it’s a beautiful song. The issue lies in her inconsistency in maintaining her solo career and releasing music regularly for her fans. In 2025, I hope Pauline reinvents herself with more mature songs and collaborations with younger-generation artists to draw in a broader audience.
From me to you, Mai Sky, “I know it’s overwhelming and discouraging when the tried-and-true formula that worked before doesn’t seem to resonate as it once did. But keep pushing. We are here, supporting you every step of the way. You still have it in you. Let the music flow, and let it speak for itself.”
Extra large
If loyalty had a name, it would undoubtedly be Extra Large. In a music scene littered with groups and duos that eventually split to pursue solo careers, Extra Large defied the odds. While the dissolution of groups seems almost inevitable across genres—thanks to growth, personal preferences, and evolution—Extra Large has remained steadfast. To call them a duo act feels like an understatement; they are a true brotherhood.
During their heyday, Extra Large were trendsetters, introducing slang and phrases that became staples among the youth. This was no accident—it stemmed from carefully curated music designed to resonate with the younger generation. Tracks like Kushamula Newe, Aiwa Mukoma, and Uri Roja not only delivered catchy tunes but also coined street lingo that left a lasting cultural impact. Their ability to borrow the storytelling style of sungura music and repackage it for a younger audience remains unmatched. Listening to Extra Large feels like experiencing the brilliance of Paul Matavire, but through a youthful and modern lens.
Extra Large has undoubtedly cemented their status as well-rounded and talented artists. Even now, they have fans who would gladly pay to watch them perform. Yet, for reasons unknown, they have distanced themselves from creating new music. As we look ahead to 2025, fans can only hope that Extra Large returns to the studio. Bringing their old-school flavor into the vibrant mix of Zimbabwean music could be just what the industry needs. Extra Large, your loyal fans are waiting—please give us something to groove to again!
BLOT
Blot is undoubtedly one of the few real ones left in the Zim dancehall scene who can dominate the charts back-to-back. But lately, his presence has faded. Look at the charts—he’s missing. Check YouTube—he’s hardly there. To the new school of music fans, it might seem like Blot is just another up-and-coming artist, yet those who know the game recognize him as a seasoned dancehall chanter with a masterful blend of lyricism and vibe.
Let’s not forget, Blot is the artist behind the hit Havasati Vandiona (Skelewu)—a track where he boldly promised to make his mark. But so far, instead of delivering on those promises, he’s been lying low, holding back from releasing music at the level he’s capable of. It seems his popularity now stems more from social media disputes and petty clashes with other artists than from his undeniable talent. That needs to change because what we need is music, not drama.
Blot, you have it in you. It’s time to step up and cleanse your path. Your fans are craving good dancehall vibes all the way in 2025. If external factors like drugs are holding you back, please seek help before you become remembered only as an underrated artist who never fully showed what he could do. The time is now. Arise and shine, Blot—2025 is your year.
Ishan
I debated long and hard about whether Ishan should make it onto this list. The team voted against it, arguing that he’s already given us hits—from Kure to Lola to Musandikanganwe. Still, I insist on including him here, and my reason is simple: inconsistency.
Ishan is undeniably a talented artist. Time and again, he’s proven that whenever he steps into the studio, the results are nothing short of infectious. But to me, Ishan has always felt like a one-hit wonder. It’s as if he has a full-time job in IT and only releases music when he’s on leave. Freak! You’re talented, Ishan—just be consistent, that’s all we’re asking.
If he continues with this pattern of sporadic releases and long disappearances, I fear he’ll eventually vanish completely, and fans will forget him. Ishan, you’ve got to keep the momentum going. You don’t need to drop a full album or an EP, but consistently releasing singles will keep your fans engaged and your name alive in the music industry. Remember, out of sight is out of mind.
Please, Ishan, let 2025 be the year where you find your groove, stay consistent, and remind us why we fell in love with your music in the first place. The talent is there—now, let’s see the follow-through.
bonus: cindy munyavi
Cindy was once a prominent figure in the Urban Grooves movement back in the day. However, when the genre took a backseat to the rising wave of Zim dancehall, she relocated to America. Despite the shift, Cindy made an impressive comeback with features like Bad Energy alongside Freeman HKD. She has also released hits from abroad, such as Kunaka, which featured ExQ.
What makes Cindy stand out is that she continues to create music for Zimbabweans while living in the diaspora. Her connection to her roots and her dedication to representing Zim music globally are commendable. Cindy made it onto this list for one reason: her recent post on Instagram, where she asked fans if she should release new music. This is my response to her, on behalf of Uzinduzi Africa: “Please, ma’am, give us the music! We are ready to support you left, right, and center until the new school truly believes in your brilliance.”
Cindy, the fans are waiting. 2025 is yours for the taking—let’s make it a year to remember.
Conclusion
I acknowledge that this list may not be as comprehensive as it could be, but I hope it captures the essence of how we feel about the missing voices in the music scene. If there are other artists you’d like to see featured, feel free to share your suggestions for part two of this article.
We all connect with different artists, and when our favorites seem to neglect us, it’s only natural to speak out. This is our way of reaching out to them, letting them know just how much their music is missed.
Until next time—adios, amigo! Don’t forget to follow Uzinduzi Africa on all social media platforms to stay connected.
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about the author
Steve is the creative director at Uzinduzi Africa, an entrepreneur at heart, TV host and radio producer. He’s got a passion for the development and growth of local brands.
Steve Tadzoka